negotiations

VOICE BOX

Negotiations with Harry Shearer appear to have hit a wee bit of a snag, as the longtime Simpsons cast member has apparently announced he’s leaving the show.

Shearer made the announcement on Twitter late last night, quoting an imaginary press release from James L. Brooks’s Lawyer, for some reason. Take a look:

Then he seized the opportunity to plug his new comedy song about cops. Hey, why not?

burning bridge

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FOX NEWS

simpsons rich

Scrappy cable underdog FXX landed a major deal with its fellow 21st Century Fox subsidiaries 20th Century Fox Television and Twentieth Television (which are different companies, somehow…?) for the exclusive cable and streaming rights to The Simpsons for ten years, and now a bunch of rich people are going to get richer, hooray! The deal is valued at $750 million, making it the largest off-network sale ever.

FXX is a terribly-named spinoff of FX that launched two months ago. It airs comedy shows like It’s Always Sunny in Philadelphia, reruns of Parks & Recreation, and who knows what else. Next August, they’ll have every episode of The Simpsons. So many, they don’t quite know what to do with them:

FXX is expected to stack six to eight episodes on one or two nights, probably in thematic packages, rather than air them across the week as in traditional syndication.

Hey, I already made things easy for them! Imagine a whole night of those dumb trilogy episodes where historical/fictional figures are replaced with Simpsons characters.

Additionally, every episode will be available streaming on demand:

Deal also calls for the vast archive of “Simpsons” segs to be available on VOD via the soon-to-launch authenticated FXNow mobile viewing app — which is sure to be a draw for the service as “Simpsons” segs have never been widely distributed online and have never been on any SVOD platform.

Well, not legally – in a weird coincidence, the internet’s most popular Simpsons streaming site shut down just a few weeks ago. Naturally, to use FXNow you’ll have to prove you’re a cable subscriber and not one of those freeloading hippie cord-cutter types. Meanwhile, local stations have run out of good seasons to air:

Most local stations have used up all of their allotted runs of older seasons of the show, even as they get access to the most recent episodes after the conclusion of each season on the Fox network.

Haw haw, nobody wants the newer episodes.

Harry Shearer is bitter because the official press release about the deal names eleven executives – John Landgraf, Chuck Saftler, Gary Newman, Dana Walden, Greg Meidel, Steve MacDonald, James L. Brooks, Matt Groening, Al Jean, Chris Antola, and Lori Bernstein – and zero cast members. Shearer and the rest of the cast won’t get to share in the profits, and neither will the animators, who continue to deal with pay reductions, shortened production schedules, and longer layoffs.

[Variety]

KANCELLATION KOUNTDOWN, MY TWO CENTS

First things first: The Simpsons, after days of cancellation rumors amidst a fierce contract negotiation between the voice actors and Fox, has been renewed for not only Season 24 (2012 – 2013), but also Season 25 (2013 – 2014), despite those honest, upstanding Fox “anonymous sources” telling every news outlet within earshot they would only renew it for Season 24 “at most.” That’s right: Twenty-Five. Goddamn. Seasons. Five Hundred Fifty-Nine Episodes. Let’s assume everything after Season 8 is bad. That means by the end of Season 25, the good seasons will comprise slightly less than 32% of the entire series. And this season just started two weeks ago, so we have a guaranteed three seasons of atrocious episodes to look forward to. Excuse me while I go stick my head in the oven.

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ANIMOTION MACHINE, KANCELLATION KOUNTDOWN

john k.Outspoken super-animator John Kricfalusi was fired from his own show, The Ren & Stimpy Show, back in 1992. Since then, his television projects have been short-lived: The Ripping Friends lasted 13 episodes on the air, while Ren & Stimpy “Adult Party Cartoon” lasted a mere 3.

Last Sunday, The Simpsons aired a couch gag “guest-animated” by the K-man himself. And about two days later, rumors of the show’s cancellation began swarming after The Daily Beast reported on tense cast negotiations. We are still waiting to hear if this season will be the last.

Now, I’m not saying that John K. is cursed, and his mere presence will doom every TV show he comes in contact with. But it IS a weird coincidence. I’m just saying.

KANCELLATION KOUNTDOWN

krusty kancelledAccording to Reuters, Fox is finally weaning off their bad Simpsons-renewing habit, and have declared they they only want one more season of The Simpsons at most, if the voice actors agree to their “draconian” pay cuts. That would be Season 24, the 2012-2013 season, falling just short of the unthinkable 25 year milestone (unless you go by the Simpsons’ Tracey Ullman Show debut, which marks its 25th anniversary this April). But keep in mind these are anonymous executives, in the middle of some big-time renegotiations where they repeatedly use the press as a conduit to spread rumors and innuendo to get a more favorable deal, from a TV network that once straight up lied said their plan “is not all Seth [MacFarlane], all the time” while giving him three and maybe four shows, which happens to be a subsidiary of one of the most cartoonishly evil corporations in the world, so take that with a pillar of salt.

Also according to these unnamed executives, “the show is no longer profitable for the network.” Forbes asked a bunch of analysts, and found that ending the show would likely more profitable for Fox than continuing it:

The freedom of selling the show into syndication on cable or even to online streaming providers like Netflix or Amazon could generate $1-2 million an episode for a show that has produced nearly 500 of them, RBC estimates.

Those revenues – around $750 million of incremental content monetization – are likely to come across a number of years, because of the original syndication deal and the likely preference for smoother earnings, “but the upside is real.”

RBC estimates broader syndication for The Simpsons post-cancellation could add 10 cents per share to News Corp.’s bottom line.

So now we appear to have reached the point foretold by Troy McClure, who once asked, “Who knows what adventures [the Simpsons]’ll have between now and the time the show becomes unprofitable?” Extra credit goes to former Simpsons writer Greg Daniels, who back in 2008 predicted the show would end when “the per episode syndication price falls below the cost of producing an episode.”

[Reuters/TheWrap]
[Forbes]

KANCELLATION KOUNTDOWN, VOICE BOX

hey hey, it’s slideshow melOh boy, it’s that lovely time every three years or so when the Simpsons cast re-negotiate their contracts with Fox! And this time the stakes HAVE NEVER BEEN HIGHER. The Daily Beast reports that this time the voice actors are asking for a pay cut, instead of their usual pay raise. Say whaa??? Have we wandered into Bizarro World??? No, while they’re asking for a 30 percent pay cut, it’s because they want a piece of that hot, hot syndication and merchandise action worth billions of dollars in CA$H MONEY. Fox doesn’t want to give up that money (after all, their parent company News Corp. has tons of phone hacking victims to pay off), and this time they’re threatening to sirenCANCEL THE SIMPSONS. siren

Difficult bargaining is nothing new for the show, which was created by James L. Brooks and Matt Groening. Fox studio execs have occasionally threatened to replace uncooperative cast members with sound-alike actors. But for the first time in nearly a quarter century of haggling, the executives have insisted that if the cast doesn’t accept a draconian 45 percent pay cut, The Simpsons will die an abrupt death as a first-run series.

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MY TWO CENTS

Back in February, beloved Twitter user and occasional film critic Roger Ebert went on Oprah to show off his fancy new computer voice. In an article on the subject, Ebert went into detail about the technology used to create the voice:

One day I was moseying around the Web and found the name of a company in Edinburgh named CereProc. They claimed they could build voices for specific customers. They had demos of the voices of George W. Bush and Arnold Schwarzenegger. (I amused myself by having them argue with each other.) In August 2009, I sent an e-mail to Scotland and heard back from Paul Welham, the president of CereProc, and Graham Leary, one of their programming geniuses.

They said they needed good quality audio to work with.

[…]

Before I lost my voice due to cancer-related surgery, I’d recorded commentary tracks for some movies on DVD: “Citizen Kane,” “Casablanca,” “Floating Weeds,” “Dark City” and, ah, “Beyond the Valley of the Dolls.” These tracks had been recorded separately from the movies, so they could be edited to fit scenes. They might be “pure” audio.

[…]

This began a back-and-forth process with CereProc, which had to transcribe every recording with perfect accuracy so they could locate every word.

What’s stopping an unscrupulous Fox executive from harnessing CereProc’s technology for evil, and ensuring The Simpsons continues forever, with no need for participation from the voice actors and their pathetic mortality? The engineers would have a lot of pure audio to work with: two decades’ worth of episodes, video games, commercials and a movie, plus hours and hours of outtakes that are probably sitting in a Fox vault somewhere. Fox has made no secret of its disdain for the handsomely paid cast; during contract re-negotiations in 1999, they were told they could be easily replaced by college kids. The show itself has used replacements occasionally – Marcia Mitzman Gaven was brought in to voice Maude Flanders, Ms. Hoover, and Helen Lovejoy after Maggie Roswell left the show, and in recent seasons Lunchlady Doris (voiced by the late Doris Grau) has been given speaking roles after more than a decade of silence.

Plus, if they start using cheaper Flash animation (like the exquisite Superjail!) and outsource the writing to a computer algorithm (which has already happened), Fox will have cut costs dramatically, thus making the show still profitable (did you know it costs like $3 million an episode??) despite its declining ratings.

HEY, IT COULD HAPPEN… MAYBE IT ALREADY HAS AND WE JUST DON’T KNOW ABOUT IT???

KANCELLATION KOUNTDOWN

When asked how long The Simpsons has left, Fox bigwig Kevin Reilly said “We have it for two more seasons and then we’ll sit down and see where we are,” leaving the door open to the possibility that the show may not be renewed during the next contract renegotiations. [iF Magazine]
VOICE BOX

The cast of The Simpsons finally got around to renegotiating their contracts, thus putting an end to the pay dispute that threatened to tear apart humanity and resulted in at least thirty artists losing their jobs while production was halted. Dan Castellenta (Homer), Julie Kavner (Marge), Nancy Cartwright (Bart), Yeardley Smith (Lisa), Hank Azaria (Maggie), and Harry Shearer (Mr. Burns) will now each get $500,000 $400,000 per episode, an increase from $360,000, to donate to Scientology. Ironically, this pay increase comes at a time when viewership has dwindled by nearly fifty percent over the past five years. Aye carumba! [telegraph.co.uk]