SCULLY DUGGERY

Mike ScullySplitsider has another typically enlightening interview with a Simpsons writer, this time with the generally-reviled former showrunner Mike Scully. He talks about writing for the Golden Globes, his occasional acting on Parks & Recreation (I didn’t know his character had a name), and his short-lived series The Pitts (I only remember Fox’s obnoxious promos for it, which focused primarily on the girl getting a pipe stuck in her head and saying “I’ve got a freakin’ pipe stuck in my head!” or something similiar. Or maybe that was his other show, The Mullets, who knows).

The stuff about his tenure on The Simpsons is interesting – he had the choice of doing either that or Coach (I wonder what the inevitable “Craig T. Nelson gets leprosy” episode would’ve been like), met Conan right before he got sucked away by NBC, and rose from being a 1-day college dropout intimidated by the Ivy League-infested writers’ room to running it just a few years later.

He also lectures a bit about the importance of putting characters before jokes, which is a little galling coming from the guy who brought us panda rape and jockey elves. But he does give an apology, of sorts:

It’s funny going back and doing these DVD commentaries 10 years later. You get a chance to relive every bad decision you made. There are times when you wish you could fast-forward the DVD and just say, “Sorry folks, I don’t know what I was thinking on that one.”

Finally, some closure. [Splitsider]

WRITER WATCH

Matt SelmanSplitsider did a pretty good interview with current Simpsons writer (and rubbercat.net/simpsons reader) Matt Selman. About half of it is just plugging his latest episode, Homer the Hipster (which he’s already defending), but there’s still some good insights. Selman talks about his thoughts on a final episode, how those lazy layabouts Tom Gammill and Max Pross have finally – after being on the writing staff for over a decade – written an episode, how the staff tries to make sure the show doesn’t feel like a Jay Leno monologue (except, uh, when they actually do Leno monologues), and getting fired from Seinfeld. Then the interviewer gets him to tell the “Mayor of St. Louis” story, which is pretty funny:

It’s starting to get very awkward because he’s sort of addressing his whole speech to me and putting me on the spot and humiliating me and saying, “Who said this about East St. Louis? Have you ever been to East St. Louis?” I’m feeling very uncomfortable and awkward. ‘Oh man, I’m so dead.’ I unfortunately showed my true colors by selling out the others writers by saying that I didn’t write the joke in the show about East St. Louis [and] someone else wrote it [and] we all wrote it together, even though my name was on the script.

There you have it: by his own admission, Matt Selman is a gullible liar, a man who should not be trusted, but is also incredibly trusting. So dark, the duplicity of man.

[Splitsider]