As the Walt Disney Company continues to celebrate its 100th anniversary, let us consult the tea leaves and try to speculate just what the entertainment conglomerate wants to do with The Simpsons.
- CEO Bob Iger recently spoke about the importance of quality over quantity. Sure, he was specifically talking about Marvel’s recent underperformance at the box office, but maybe, just maybe, he was secretly thinking about The Simpsons, which passed the 750 episode mark this year and is only getting more expensive to license.
- There’s a rumor that 20th Century Studios recently greenlit James L. Brooks’s upcoming film Ella McKay in hopes of convincing him to do a sequel to 2007’s The Simpsons Movie. Maybe that’s true, but 20th and Brooks already have a longstanding relationship (his production company Gracie Films is located on the Fox studio lot) and frankly it doesn’t seem like Brooks would need much convincing (the Disney+ shorts were his idea). As I see it, the main obstacles are that everyone is 16 years older and the circumstances that made the first movie possible have changed.
- Remember back in 2019 when Matt Groening announced a Disenchantment comic book series? Well, good news, it’s finally being released, four years later and after the show has ended. The podcast Talking Simpsons speculated the delay might’ve been due to behind-the-scenes squabbling between Groening and Disney over Simpsons publishing rights, complicating Groening’s plans for a comics app.
- Disney Parks chairman Josh D’Amaro claims they have enough space in Anaheim “to build another Disneyland there if we choose to do that.” Might The Simpsons find a home there if the Universal contract is not renewed?
It’s the 30th anniversary of the short-lived Simpsons rival Capitol Critters! To commemorate the occasion, we decided to check in on the titular critters and see what they’ve been up to.
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John Swartzwelder has given his first-ever interview with The New Yorker, where the legendary Simpsons writer talks at length about his past and reflects upon his work.
This is a huge surprise, because Swartzwelder has a reputation as a mysterious, eccentric guy. As John Ortved wrote in his book, “Swartzwelder is an enigma. No one I interviewed knows much about the man, and unlike [George] Meyer, he has never given an interview or spoken publicly about himself or his work.” Fellow Simpsons writer Matt Selman blogged, “John Swartzwelder is immensely private. He would not want to be blogged about.” The only time his voice has been heard publicly is when showrunner Mike Scully called him during a DVD commentary (in an interview with the podcast Talking Simpsons, Scully says he had to give him an animation cel to get him to sign a release form). Amazingly, he still holds the record for most episodes written, even though he left the show nearly two decades ago.
In the interview, which writer Mike Sacks says was “in the works for over a year,” Swartzwelder reflects on his time in advertising and Saturday Night Live, offers some great writing advice, clarifies some misperceptions about the diner booth he installed in his home, shares his thoughts on the deification of the Simpsons writers’ room (“I know some people think of us as gods, and maybe we are. I’m not saying we’re not gods.”) and the word “Swartzweldian” (“about the most awkward-sounding word in the English language”), reveals his favorite season, and confirms the mostly-promotional Twitter account @JJSwartzwelder is him. He also mentions a cartoon he drew for George Meyer’s cult zine Army Man featuring “some nicely drawn chickens” with perfect beaks (you be the judge).
The whole thing is oozing with great jokes and is very much worth your time.
[The New Yorker]